Tuesday, November 11, 2014

Clarity, Music of Clare Fischer - Thank you radio, reviewers, friends for your support

Clarity, Music of Clare Fischer on Random Act Records buy it here: http://randomactrecords.com/music/  

November 15th- The Deerhead Inn, Delaware Water Gap, PA

November 22 nd. - Cezanne Jazz Club, Houston, Tx.

December 3rd. - Vitello's Upstairs, Los Angeles, CA.

December 13th - Trumpets Jazz Club, Montclair, NJ.

December 19th - Jazz at The Kitano, NYC.

December 28th - Birdland 'guest' Jane Monheit's Jazz party

January 10th & 11th - APAP Conference shows- The Harlem Suite 3 pm.

January 24th - Snug Harbor - New Orleans, LA.

Check out Brent Fischer and the Clare Fischer Big Band..new cd too !



The Reviews are rolling in:


Toronto, Canada 

Check our tour schedule on my webpage: www.RoseannaVitro.com

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Thursday, July 10, 2014

Clarity, Music of Clare Fischer is coming on September 30th

It's always exciting when an artist finishes a new project. My new project took a couple of years to make. I've had many life changes, ups and downs, but one constant is my love of singing and music.  This season was one where so many goals seemed out of reach. Only the strong survive in the music business. Most artists hide a pretty sensitive heart.
   The Music of Clare Fischer, the first vocal book with six new songs never sung before, is birthing right now! Random Act Records is the new label for my new recording http://randomactrecords.com/. Bill Milkowski, excellent jazz journalist has written very informative liner notes.  

Roseanna Vitro
  Music of Clare Fischer

            On this heartfelt project, Roseanna Vitro pays tribute to a real musicians’ musician. “It has taken almost two years to cultivate lyrics for six Clare Fischer songs that have never been sung before,” says the seasoned singer and educator. “This is the first vocal book by a solo singer of his music.”
            The revered pianist and prolific composer passed away just two and a half years ago at age 83 after a distinguished career that began as arranger for the vocal group The Hi-Lo’s in the late 1950s and included 11 Grammy nominations along with some high-profile arranging work for pop stars Prince, Chaka Khan, Paul McCartney and Michael Jackson. On Clarity, Music of Clare Fischer, Vitro focuses on the man’s lifelong passion for bossa nova and Afro-Caribbean music, which first manifested with 1962’s Bossa Nova Jazz Samba, the pioneering album he made with sax great Bud Shank, and continued with 1964’s So Danço Samba and 1981‘s Grammy-winning Clare Fischer and Salsa Picante Present 2 + 2.
            Like her previous tribute outings -- 1997’s Catchin’ Some Rays: The Music of Ray Charles, 2001’s Conviction: Thoughts of Bill Evans and 2011’s The Music of Randy Newman -- Vitro puts a unique spin on Fischer’s music, courtesy of pianist Mark Soskin’s ambitious arrangements. Joined by her core crew from the Randy Newman project -- bassist Dean Johnson, drummer Tim Horner and violinist Sara Caswell -- along with special guests Mino Cinelu on percussion Clare’s son Brent Fischer on vibes, Vitro delves headlong into Clare’s world.
            In tackling this music by the man who was regarded as a master of harmony by such heavyweights as Gil Evans and Herbie Hancock, Vitro says, “I really didn’t realize what I was getting myself into with this project of difficult melodies. But once I was in, well, I was in.”
            You can hear Roseanna’s sheer commitment to the material throughout this stellar outing. From the opening “Morning,” first heard on Fischer’s 1965 album Manteca!, it is clear that she is up to the challenge. Fueled by Soskin’s churning 12/8 undercurrent, she sings this haunting melody (first set to lyrics by Clare in 1981 on his landmark Clare Fischer and Salsa Picante Present 2+2) in husky, alluring tones before breaking into some freewheeling scatting. The gorgeous “Web of Love (Inquietacao),” the only song here not written by the subject of this tribute album, was a Fischer favorite. Originally written in 1935 by Brazilian composer Ary Barroso, this version has Roseanna singing English lyrics written by New Yorker Roger Schore, showcasing the full range of her voice from soaring highs to luxurious lows. Caswell contributes an outstanding violin solo that elevates the proceedings with its tenderness and lyricism.
            “Love’s Path” is a soulful interpretation of Fischer’s “Love’s Walk,” a piece originally written for his wife Donna on his 2005 solo piano album Introspectivo. Lyrics here were written by Vitro’s husband, engineer Paul Wickliffe. “Swingin’ with the Duke” (an adaptation of Fischer’s 1983 piece “The Duke”) is straight up playful 4/4 burn with Vitro in Ella-inspired scatting mode. The lyrics here, co-written by Roseanna and Cheryl Pyle, tell us precisely what the Ellington was telling us with his swinging music.
            “Pensativa,” a Clare classic covered by the likes of Freddie Hubbard, Bill Evans and George Shearing, is rendered as an appealing bossa nova with Roseanna remaining faithful to Fischer’s beautiful melody and lyrics. “Life’s Journey” (originally titled “Pavillon” on Fischer’s 1984 album Crazy Bird) features new lyrics by Cheryl Pyle. Roseanna turns in a particularly passionate reading of “Sleep My Child,” which she calls ‘the heart of this recording.’ Originally recorded on Fisher’s 1967 album Songs for Rainy Day Lovers and dedicated to his then-newborn son Brent, it features Roseanna accompanied only by Soskin’s piano and Caswell’s violin. “This melody is up there with Jimmy Rowles’ ‘The Peacocks,’” says Vitro of this haunting number.
            “Take Your Breath and Sing (O Canto)” was originally recorded in Portuguese with a vocal group. This buoyantly swinging version features English lyrics by Roseanna’s husband Paul and a flowing vibes solo by special guest Brent Fischer. And the album closes on a soothing note with a version of Clare’s sweet bossa nova “I Remember Spring” featuring his never-before-recorded lyrics.
            From opener to closer, it is clear that Vitro was ‘all in’ for this very personal tribute to the underrated master of harmony. -- Bill Milkowski